Latest – Page 6
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FeaturesBox office analysis 2015: Spain
SCREEN SUBSCRIBERS: Local films may have lost ground to US titles in 2015 but a slew of releases may help Spain’s production industry end the year on a high.
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FeaturesBox office analysis 2015: Germany
SCREEN SUBSCRIBERS: A slapstick comedy has become the biggest local film of all time in what is set to be the most successful year at the German box office in history.
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FeaturesBox office analysis: foreign-language films in the US
SCREEN SUBSCRIBERS: The top 40 foreign-language films at the US box office to date in 2015 and how they have performed.
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FeaturesChina & HK: indie and arthouse space facing challenges
SCREEN SUBSCRIBERS: Despite another record year at the Chinese box office, buyers, sellers and distributors in the independent and arthouse space have less to celebrate.
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CommentWill 'Star Wars' become the highest-grossing film of all time?
Ahead of its release on December 18, Screen asked four experts whether Star Wars: Episode VII - The Force Awakens would take the global box office crown…
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FeaturesBox Office 2015: Summer of slams
Rampaging dinosaurs, Marvel superheroes and animated emotions powered the US box office to its second biggest summer of all time.
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FeaturesBox Office 2015: Brits share summer spoils
In the UK, there were spectacular results for studio fare such as Minions, as well as indie titles like Amy and 45 Years.
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FeaturesDrawing power: animation special
While Hollywood continues to dominate animation globally, European distributors and producers are increasingly looking to grab a slice of the pie. Geoffrey Macnab looks at the state of play.
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FeaturesChinese box office: taken by storm
Which films will triumph at the box office over Chinese New Year? Liz Shackleton looks at the high-profile releases vying for the top slot.
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FeaturesSpain: battle for the box office
Spain has seen a box-office boom in 2014 but admissions were driven by discount ticket schemes. Distributors and exhibitors are looking for new solutions, Juan Sarda reports.
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FeaturesEuropean box office: Laugh track
Comedies hit big for European films at the global box office in 2014. By Louise Tutt.
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FeaturesIs France still a cinephile nation?
France has long been a model of cinema-going culture. But with a box-office drop in 2013, a dip in local production and cinema audiences getting older, Melanie Goodfellow looks at the future of film culture in the digital age.
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FeaturesIndian box office: Local films race ahead
Hollywood hasn’t yet maximised the potential of the Indian market, where 2013 saw some record-breaking Bollywood hits despite a slowdown in box-office growth. Liz Shackleton reports.
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FeaturesBox Office: Finding the funny
With Anchorman 2 about to start its international roll-out, Ian Sandwell looks at the performance of comedies at the box office in 2013 and examines the prospects for Ron Burgundy’s return.
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FeaturesUAE box office: Riding to the rescue
Hollywood films of every stripe can take the UAE box office at a canter. But specialist titles, except for Bollywood films, tend to fall at the first hurdle and are increasingly pinning their hopes on VoD. Colin Brown reports.
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FeaturesDocumentaries: the truth about summer
Serious documentaries can be ideal counter programming to superhero blockbusters. Ian Sandwell talks to UK and US distribution experts about why summer releases can be smart moves for non-fiction films.
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FeaturesBaz Luhrmann at the box office
Baz Luhrmann’s Cannes opener The Great Gatsby is his first film in 3D. Will it continue the director’s upward trajectory at the global box office? Ian Sandwell reports.
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FeaturesThe fear factor
Is resurrecting a horror brand a sure-fire way of scaring up box office around the world? Ian Sandwell reports
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FeaturesChina rules 2012
With huge growth in 2012, China finally became the second biggest theatrical market in the world, behind the US. Ian Sandwell charts its rise and explores the five highest-grossing international territories last year.
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FeaturesStudio figures hit sky high
With three films passing $1bn worldwide, 2012 was a banner year for studios at the global box office.
















